There is no doubt that the entrances, halls and receptions Offices are a company's calling card. A real statement of intent! It is the starting point from which the company develops. corporate image of the firm. From here the letter of colors, the use of certain materials, the kind of furniture and, above all, the style prevailing in the rest of the offices.
Today we show you how entrances are decisive and set the tone in the interior design of offices based on these fantastic seven examples.
Naval culture
In this entry of a shipping company the theme of the Cruise, mixing nature and naval culture to create a functional yet visually captivating workspace for staff and visitors, thereby fostering productivity and collaboration.
A counter shaped like a ultra-modern ship, and sheltered by a curvilinear structure of white wooden slats, welcomes the visitor. The clear appearance of the space is accentuated with a rug interspersed with greys and blues, very oceanic shades. The space, like the rest of the offices, harmoniously blends the basic components of the cruise ship - undulating shapes, dynamic spaces and transparent elements - creating an environment reminiscent of a modern and elegant boat sailing the seas.
UMA Design for Merchants Cruise Academy. Photos: Huang Shanzhong
industrial look
This investment firm focused on the the environment has designed offices that reflect its ethics and philosophy. Located in a historic warehouse building, the intervention was minimal, which amplifies the contrast between the historic and the new.
From the entrance it connects with the design of the space, which uses the tree-like structures existing and the skylights scattered throughout the central nave, as if it were a clearing in a forest. The main point of attention upon entering is a steel sculpture corten faceted, reminiscent of a split redwood. This sculpture, which extends to a skylight, provides privacy to the open office, while being a unifying element of the space.
The existing structure and finishes remain almost intact. No carpeting was used, only rugs. The walls do not reach the ceiling, but have their own self-supporting enclosures. Aesthetically, the aim of the design was to complement the history, but not to imitate it. Thus, there is a clear delineation between the existing rough wood and the new surfaces and structures.
Evans Design Studio, jones | haydu for Inclusive Capital Partners. Photos: Matthew Millman
Minimalist vocation
For elegant and minimalist spaces, Limobel Inwo presents the counter DUO PANEL, consisting of a horizontal top, a front and two lateral sides in bilaminated board. Its refined aesthetics allow it to be seamless integration in all workspaces or public-facing areas.
In addition to the customized bilaminate in different colors, the front of the counter DUO PANEL may be optionally replaced by methacrylate 6mm with an anodized aluminum frame inside for greater customization.
A hotel reception
The entry of this large company dedicated to energy and natural resources captures from the entrance the concept hotelization of offices, which we talked about weeks ago. The design echoes the ebbs and flows of nature, from the serenity of dawn to the vitality of sunset. This concept, present in the contrasts of textures, colors and materials, interweaves architectural forms, fluidity and natural materials, creating a welcoming, comfortable and collaborative environment.
The reception area merges formality and warmth, with rounded seats made of rich fabrics, such as velvet. This space serves as a striking prelude to the rest of the office. The main circulation route is guided by ceilings custom-sculpted and framed by exquisite brass metal details. These elements combine to create a functional and visually striking workspace.
Allen Architecture Interiors Design (AAID) for OQT. Photos: Chris Goldstraw
Brutalist concept
The interior design project of this advertising and marketing agency The aim was to convey a brand repositioning, creating a highly modern, minimalist concept with a certain air brutalist.
In a conventional office, the main entrance usually acts as a boundary between the public area and the office space. However, here a kind of bar instead of a reception desk, enhancing the social activities from the entrance area. At the same time, a large amount of free space was left at the entrance to offer more flexibility for future activities.
The choice of materials was based on neutral colors like gray and white, and includes terrazzo, microcement, metal, glass tiles, curved glass, fireproof wood grain flooring, felt and artificial stone.
UStudies Architects for Streamland. Photo: Erik Ho
natural elegance
The concept of new offices This well-known food company started from a synesthetic idea, where the taste of their candies and chewing gum could be “seen” through the design, colors and textures of the materials and textiles. Hence the final result, timeless and elegant, where the wood from the entrance counter, enhanced by the wood veneer wall.
La lighting was carefully chosen to further enhance the ensemble, with perimeter lighting, ceiling lamps and wall sconces. Particularly striking is the floor, made of pallet placed in herringbone pattern, a material not very common in offices, but which here serves to enhance the warmth of the environment.
Bluesky Design for Wrigleys. Photos: Mike Dinsdale | Midi Photography
A spectacular entrance
We close our tour with this impressive receiver from a famous Parisian law firm, where they did not skimp on space (their offices occupy a building of 6.000 square meters, with all kinds of spaces, rooms, services, auditoriums, etc.).
The architects' goal was to create spaces that knew age and did not appear obsolete with the evolution of trends. This objective greatly influenced the choice of materials and shapes, with the wood and stone as protagonists. One way to achieve this was to look for a classicism nuanced and based on the great examples of corporate design of the last century.
Studio Razavi Architecture for August Debouzy. Photos: Simone Bossi
Photos via OfficeSnapShot
